Monday, June 15, 2009
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Wednesday, June 10, 2009
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Tuesday, April 28, 2009
Friday, October 31, 2008
Sunday, June 22, 2008
Sitaar Tah! - Tah!!! (2007, High Contrast Recordings)
| Japanese sitar ensemble formed in 2004. The group consists of around 30 players and is led by Yoshidadaikiti. Get |
Saturday, April 5, 2008
Sunday, March 9, 2008
Quad - Quad LP (1997, Acme Records)

Quad or QUAD was the name of a solo music project by Gary Ramon.
During his six-year hiatus from Sun Dial, Ramon embarked on an ambitious solo project, Quad, which combined ambient electronica with kraut rock. The result was a pair of self-titled albums. The first of these was released on Ramon's own Acme Records in 1997 as a 1000-copy limited edition on 12" clear vinyl with a transparent sleeve. The second Quad album was released in 1998 on the Prescription label as a 99-copy limited edition LP.
A 1999 American rerelease of the first album on CD and 10" LP on the Man's Ruin label was scheduled but eventually cancelled.
Both albums are now highly sought-after collectors' items. (Description from Wikipedia.)
Friday, March 7, 2008
GHQ - Hea CDr (2005, Arbitrary Signs)

Appalachian ragas for the drone set by Double Leopards/Hottogisu/Zaimph’s Marcia Basset and Steve Gunn on Pete Nolan’s Arbitrary Signs label. This limited edition of 100 CDR is apparently a teaser to a forthcoming Time-Lag release. Beautifully packaged in a silk-screened faux neon snake scale cover, this CDR contains some of the most pleasing back porch howl and moan ever to come from the rural backwoods. Marcia Basset is obviously one of the most highly regarded and accomplished noise artists working in the underground today, and this collection of lonely backwoods psychedelics only further illustrate her ability and diversity in committing to tape what others only imagine or wish to attempt. These full on repetitive droning string raga’s transport the listener into a full on ecstasy over four long tracks. Sometimes venturing into a Six Organs of Admittance/Fahey eastern romp complete with crashing bells and voice modulations, creating the most trance inducing modal music that ever came from the Smokey Mountains of the East. This disc is definitely a high light in the already stellar body of work that has been forged by Marcia Basset, illustrating her obvious ability in creating mind melting psychedelic music. It’s apparent from listening to these recordings that this work deserves greater distribution and investigation even by those who are not obsessed with the fevered nightmares of Double Leopards or the metallic green metal of Hototogisu. For those lucky enough to get there hands on this beautiful backwoods neon psychedelic CDR rejoice, for other’s not so lucky hopefully the upcoming Time-Lag release will bless your fevered skulls with more of this beautiful rural drone. 9/10 Description from Digitalis.
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Bonecloud - Drawing Spirits In Crystals CDr (2007, DNT Records)

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Red Temple Spirits - 2 LP's (1988, 1989 Fundamental)


Dancing to Restore an Eclipsed Moon is an astonishing debut. The luxurious packaging (double LP/single CD) mirrors the care put into the music, which tastefully incorporates flutes, bells and natural sounds (water, birds) to create a heady atmosphere of ritualistic ecstasy. Short catchy compositions like "Dark Spirits" and "Dreamings Ending" alternate with several long and complex pieces.
The follow-up, "If tomorrow I were leaving for Lhasa, I wouldn't stay a minute more...," is far more direct, both in the melodic music and the lyrics, which turn towards external/environmental stimuli. As crystallized by the gorgeous "Dive in Deep" and an incandescent cover of Pink Floyd's "Set the Controls for the Heart of the Sun," the theme of hope for the magic and beauty of life in the face of despair remains. Description from Myspace.
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The Skull Defekts - Rotating Feedback & Save The Skulls CD (2005, iDEAL Recordings)

But here - on the first full length album of TSD, we meet a duo consisting of Rylander and Nordwall only, dropping a 38 minute-long dark atmosphere mindphucker that will slay your soul. Here they use the very minimal equipment of feedback though mixing desks and a contact microphone. But it is surprisingly vital and changes in sound make slow melodies, almost hidden to the listener. Description from Dotshop
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